I went to London Comic Con this weekend, it was a bit of a last minute decision but I obviously haven't been able to go since 2019 and it felt really important to get out and do things I enjoy as this year has felt a bit weird and isolating. And I think I enjoyed it more than last time! I always feel really comfortable at cons, I really love people who are passionate about stuff as I can relate. I'd like to get a table and sell my illustrations there someday, I've never sold at cons before but I'd love to meet the people buying my art instead of the anonymity of online sales. The whole experience was really inspiring and I came home brimming with ideas for future illustrations and things to make!
I obviously had to go in cosplay, and as it was October and a bit chilly I decided to go as Anna from Frozen. I went as Elsa last time so it only felt right!
Because I had to stay in a hotel I made a proper weekend of it and went to see a couple of shows. On the Friday night I saw the new Andrew Lloyd Webber musical Cinderella, which I didn't know a whole lot about before going other than it was an updated retelling, but as I love fairy tales so much I wanted to give it a chance. And oh boy! I really hated it!
I especially like the original story of Cinderella because it's a really important story about abuse, grief, and hope. Cinderella loses both of her parents and is enslaved in her own home by her legal guardian while she's a minor, and her step family attempt to completely erode her feelings of self worth out of sheer spite. Even when she goes to the ball, whether in the Disney version or the original folktale, she never went there to meet the Prince, she didn't even recognize the Prince, she just wanted a night out to go dancing. She never dreamed a Prince would come and save her, she just hoped that one day she might be in a better position to be able to leave her step family behind: "No matter how your heart is grieving, if you keep on believing, the dream that you wish will come true." And I hate this modern "empowered" interpretation that she just waits for a man to save her because she never once does that. And while I knew this musical was a retelling I was hoping it would still have some of that spirit, but unfortunately they just went down the "not like other girls" route instead.
It's set in the town of Belleville, where all of the female characters are 'Valley Girls' and all of the male characters are 'Jocks'. All except for Cinderella who is a tomboy 'Goth' (because an outcast always has to be a goth 😑) and Prince Sebastian who is nerdy and introverted. Naturally they're both hated by the townsfolk for being so different, and they've been friends their whole lives despite coming from entirely separate social backgrounds and are secretly in love with each other. It's just so boring and predictable that I was rolling my eyes the entire time. Some elements of the show are so over the top and ridiculous that it almost feels like pantomime, but it also takes itself far too seriously and straddles this really weird line where it can't decide what sort of story it wants to be. Even the Fairy Godmother is entirely changed; originally she's the literal embodiment of Cinderella's faith in her own abilities, now she's a plastic surgeon who Cinderella goes to and pays so she can look like everyone else. And this is such a horrifying message and not anywhere near as subversive as it thinks it's being!
This next bit is a huge spoiler, but the 'twist' at the end is that Prince Sebastian's older brother Prince Charming isn't actually dead like we're told throughout the musical, and naturally he interrupts Prince Sebastian's wedding to announce that he faked his death to avoid an arranged loveless marriage to a woman because he's actually gay and in love with the Duke. Which could of been an incredible social commentary on the whole royal thing, except it's the punchline. Also it's immediately accepted by absolutely everyone in the town, including the Queen who is thrilled with her gay son and accepts the Duke, so why exactly did Prince Charming feel like he had to run away in the first place? The plot line has no substance because there was seemingly never anything to overcome, it's like the writers just thought to themselves "what do young people like right now? Ah, the gays!" and just slapped something in to look woke. Especially when compared to something like the recent Netflix series Young Royals which genuinely dealt with a story line of a young Crown Prince realizing he's queer and dealing with the consequences of that in a very realistic way.
On Saturday night I saw Frozen, which felt appropriate as I was cosplaying Anna that weekend (not at the theater though!) I saw Frozen when I went to New York in 2019, and I didn't think I was going to see it in London although now I don't know why I was avoiding it as I love it so much! It's also changed quite a bit from it's Broadway run. The theater is larger so some of it's been re-staged, they've included references to Frozen II which I was less happy about, and they've included a new song and cut and shortened some others.
Anna's lost her only solo song True Love, which was one of my favorites and one of the moments where Anna has the most growth so I was really sad to see that go. It's always been my complaint even on Broadway that the betrayal scene between Anna and Hans is far too rushed, and unfortunately it's even more so now True Love is gone. I've also always felt like they missed a trick by not giving Hans his own song here - a mocking reprise of Love Is An Open Door would be absolutely perfect detailing how vulnerable and easy to fool Anna was. It's the linchpin of the whole final act so I've never understood why it's so hurried, but they have at last given Hans a couple of lines to sing if not a full song, and it's yet another reprise of his Hans of the Southern Isles track. I don't know why I'm surprised, they always do Hans dirty.
Overall I really loved it though! I loved Oliver Ormson as Hans, and the Duke of Weselton is always a character I don't take much notice of but he was wonderfully slimy here, and Samantha Barks is an absolute powerhouse and it was very exciting getting to see her live! I know it's not important and coincidental but I feel like she even looks the most like Elsa too in her face shape and features. And I always love seeing different interpretations of the character - on Broadway I saw Charissa Hogeland who played Elsa very anxious and timid, whereas Samantha was much more proud and you could feel the weight of her duties on her. The cast performed it with American accents too, which I appreciated. Wicked is performed as British, and it always feels really jarring to me as Oz is an American story and I'm so used to the OBC, and although they could technically get away with British accents for Frozen with it being European I'm glad they stuck with what sounds more familiar to the characters. I definitely need to see it again!
